Grounded in semiotics and phenomenology, I use photography to examine and expand sensory experience. For me, photography is an act of physical experimentation, while the printing process offers a direct connection to materiality. Through these two practices, I navigate the space between storytelling and a release from traditional meaning-making, ultimately seeking to restore intuition through our perception of the natural world.
Having travelled extensively through cold climates—including Iceland, Arctic Norway, Alaska, and Northwest Canada—and documented winter months in the high countries of Victoria and Tasmania, my work is deeply informed by extreme landscapes. I currently operate from my studio in Montsalvat, Australia’s oldest continuously active artist colony, while continuing to document the raw landscapes of the Great Southern region.
